Working in this new-to-me medium of collage, I’m frustrated by not having the skill set needed to realize what is in my mind (deep deep sigh).
Okay, first off, yesterday’s crayoning was a trial of mixing Filana beeswax blocks onto a map of where I grew up on Long Island. The cotton-candy idealization of the inset (I lived in Mineola and East Williston until I went away to college), the fall foliage of “upstate” (because there was Long Island, the city, and then everything else), and the blue-green sea, from Jones Beach to the Peconic Bay and beyond …
So yeah, that was fun.
Then my mind went dark, thinking of the turmoil in the Middle East. I pondered Acey’s prompt, considering the recursive nature of our incautious interventions, from the Desert Storm of 1991 to the second Iraq War in 2003 to the current-day insanity in Iran. Wondering how to “draw a line” that expressed that and then populate it with images.
Everything I wanted to use was online, including the newspaper clipping of a young girl that I couldn’t find in my paper stash, but that popped up with a single Google search …
I printed out a letter to the editor of the Daily Press that I wrote in 2003, the photo of families fleeing Iraq that prompted the letter, the eerie green flashes of the 1991 Desert Storm, and the flaming remnants of Suleimani’s assassination at the hands of our government.
The frustration came as I tried to put it all together, slicing apart the letter and interweaving it with the images and some “Persian” graphics from my book of decorative ornaments. It wasn’t pretty. So I slogged through and then wussed out by copying and cropping it …
Along the way, images and ideas got left on the cutting room floor …
It simply got to the point where I said, “I’m done with it” …
I think I need the reassurance of stitch … yes.
Addendum (January 11)
I tore out the copied image and glued down the original collage in its place …
And then moved on …