Mail calls

Getting cloth in the mail is like opening presents … and like a kid at Christmas, I have a bad habit of rushing in … washing the cloth, tearing it in strips, and stitching it before I ever think to take a picture.

Forgive me.

So here are the latest table cloth blocks made in part with recently arrived pieces of bought and gifted cloth.

I actually made two blocks inspired by Debbie Carroll’s First Light, which we bought in the summer of 2020 after receiving the Covid stimulus money from the federal government (being retired on pensions, we didn’t need need the money, so we thought investing in a local art gallery was a good way to get it back in circulation) …

I wasn’t thrilled with the first block, even though I had been waiting for this green linen from Stuart Moore

I prefer the second block, which was enhanced by the addition of this wondrous logwood-dyed cloth from one-time neighbor Connie Akers

In fact, I liked the logwood cloth so much that I also included it on this block that echoes our Gustave Baumann reproduction entitled Arroyo Chamisa purchased at the New Mexico Museum of Art during our first visit to Santa Fe …

By the way, in addition to the logwood, the blue/green strips and mottled yellow strips were also dyed and gifted by Connie. Lucky me!

Last, but not least, Deb Lacativa sent a wonderful trove of old quilting cotton batiks and prints that I pieced together in an homage to Deb G’s Good Enough Covid 19 quilt …

And while I was over at Bee Creative, I scrolled back through the links to the very first Good Enough post which described her plan.

Which leads me to voice a plan of my own. As I wrote to Deb Lacativa about creating a place on the table cloth for her cloth, an idea came to me: how cool would it be to make a second table cloth with blocks inspired by Kindred Spirits with whom I’ve been blogging and commenting and emailing for the past ten years? And yes, of course I just happen to have another blank table cloth that would make a perfect base.

However, I do want to finish the current table cloth first. So I’ll hold onto the Good Enough block for when I start the next table cloth. Soon I hope …

Procrastination?

Now that I’m nearing the outer limits of this 5’ x 10’ cloth, I’ve taken it off the table and put it on the floor …

with thanks to Don for his endless patience since it’s smack dab in the middle of everything.

I confess to making new blocks as a way to put off the inevitable task of attaching everything (which isn’t nearly as much fun as creating the blocks) … but I appear to be running out of time and space.

And so, to stretch things out a bit, I took the time to revise one of the blocks that didn’t have quite enough contrast …

then took the orphaned middle from that block and created a new block with a second version of the Oyster Factory painting …

finally finishing off the day’s patchplay with a totally new piece based on a lighthouse painting that Don did …

which just happens to have a strong James Madison University vibe …

Goodness … can you believe my oldest granddaughter is going to turn 20 this week?!

They just keep coming

… falling from my fingers, a concept I think is attributable to Mo.

This patchplay was inspired by a study Don did for several subsequent pineapple pictures (and yes, that green cloth is only a distant cousin to the green in the painting) …

With details showing how much fun it is to use Deb’s threads

Then there’s this homage the Michael Kaspareck painting we purchased 20 years ago from A Touch of Earth

And because WordPress went down earlier today, I had time to stitch this take on the Suzanne Horner painting of the Kit Carson house in New Mexico that we purchased last fall at the Assemblage gallery …

Up next: a look at another mail call (or two, if I’m lucky).