Acey’s prompt #14 suggested exploring a design principle, something that I haven’t studied in any formal manner (at least not that I can recall, although I did take two art classes in college, so I suspect the lessons simply didn’t “stick”).
I did buy a copy of the textbook Deb Sposa used during her many years at Whitney …

hoping, I suppose, that some of her instructional magic would rub off on me if I could work my way through. And I did start to do that last year, but …
Anyway, Acey’s list of principles included “proportion” … so that then. And I’ve been thinking about how I rigorously avoid anything “figural” even as I admire that element in others’ work. More specifically how Dee has used a particular element in her work of late, what she refers to as “the hooded guy.”
If you haven’t seen them, please go take a look at the two links … I’ll wait.
So anyway, imitation being the sincerest form of flattery, I began by noticing this figure on one of my book covers (I confess to having five banker boxes full of book covers from my days at the Texas State University library, where “to be discarded” book covers were circulated to a list of interested parties to pick and choose and save from the dumpster) …

I rough-cut the figure and placed it on the remnant of book cover from yesterday’s collage …

Then turned it over, which had the effect, in my mind anyway, of morphing the figure from a male looking up to a female looking down …

Definitely liked that better and glued it down. Then started thinking about proportion and grabbed a screenshot of the “golden ratio” …

printed it on “vellum” inkjet paper in order to overlay it on my figural image …

then hinged it with washi tape in order to do this …

and learned a thing or two in the process.








