Anne Lamott and Anna Quindlen are two of my all-time favorite authors (see links in the OTHER ARTISTS AND AUTHORS sidebar to the right). So, when I read a library copy of Anne Lamott’s Stitches, I thought it would be cool to get my own copy and stitch the best passages, rather than underline them as I usually do. Initially unable to find a copy readily available, I decided to apply the same idea to Anna Quindlen’s Lots of Candles, Plenty of Cake …
It’s been interesting trying out backstitch …
and double running stitch …
versus plain running stitch …
But honestly, at this point I’m not quite sure how I feel about it … so I’m letting the idea compost for a while.
Meanwhile, I’m still plugging away on
Triangulation (65 squares stitched, 95 to go). Taking a cue from
Grace, I hung it in a window (which was only partially sunlit) and took some pictures of the back (so east is to the left and west is to the right) …
Here’s the B-side of the arch in St Louis, where the only thing holding the cloth strips together is running stitch and some embellishing stitches …
This view shows intersecting horizontal and vertical running stitches – an attempt to better fill the gaps in the cloth weaving …
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Tulsa, Oklahoma at the intersection of I-44 and I-75 |
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The flip side of southbound 35, Austin and San Marcos |
As I’ve mentioned before, never will I ever again cloth-weave sheeting and back it with Harem cloth. Besides which, what was I thinking tackling a piece this size to begin with? But I must say continues to be an interesting exercise in problem solving.
Postscript:
Southbound 35 is what I slip in the CD player when we cross the Red River from Oklahoma into Texas …